Recording Studio Rockstars

RSR348 - Moot Booxlé - Vintage Synth Guru & Funky Drummer in Ft Meyers FL

05.06.2022 - By Lij ShawPlay

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My guest today is Matt Baxley, better known to the wider world as Moot Booxlé, a multi-instrumentalist, singer, producer, composer, synthesist, teacher, and funk connoisseur currently based in Fort Myers, Florida.  Moot rose to prominence in the early days of YouTube with his videos demonstrating his abilities on the modular synthesizer and the talkbox, gaining millions of views and many followers. He played his first professional gig at the age of 16, playing drums in a production of the musical “Grease” in his hometown of Morristown, TN. He has played thousands of gigs since then on multiple instruments. He currently plays and sings nightly in several bands in Southwest Florida, producing records, playing on studio sessions, demonstrating musical equipment both live and on the internet and writing books. I stumbled on Moots Youtube channel surfing synth videos when I was checking out the new line of Behringer synths like the Poly D, Odyssey, MS-101, Crave, and Pro-1 where he does a great job of demoing all these. Moot also live streams from his studio where you can see walls of super cool new and vintage synths played with lots of funky skill. Plus he is from TN so… come on! Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samply.app/ Use code RSR20 to get 20% off for the first 3 months https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com https://www.sonarworks.com https://apiaudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/6S3k3p8gj3pChPT4dSvZpX?si=57a141b57b5a4976 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/348

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