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What does it take to bounce back and build from scratch? In this new episode of Afrobeats Intelligence, Joey Akan sits with Nigerian dancehall star Ruger—the artist behind hits like Asiwaju, Girlfriend, and Toma Toma—to break down his evolution from viral sensation to label boss. Fresh off launching his label Blown Boy Entertainment and releasing his new album Blown Boy Ru, Ruger opens up about heartbreak, hate, and healing. He talks about sneaking out to study Dancehall, learning to write in Patois, and how songs like "Warning" and "Make Way" reflect his truth. He shares what it was like leaving his former label, facing doubters who said he’d fall off, and how Wizkid’s tweet gave him the push to keep going, he says after dropping "Toma Toma" with Tiwa Savage. Now running his own show, Ruger reflects on artist development, mental discipline, and why his next signee “has to be better than me.” He also breaks down his joint project with BNXN (Buju)—Romeo Must Die—and how collaboration showed a new side of him. Whether you're a fan of Afrobeats, Dancehall, or the business behind the music, this conversation cuts deep—streaming from Lagos to London, Toronto to Houston, wherever the African sound resonates.
4.9
3232 ratings
What does it take to bounce back and build from scratch? In this new episode of Afrobeats Intelligence, Joey Akan sits with Nigerian dancehall star Ruger—the artist behind hits like Asiwaju, Girlfriend, and Toma Toma—to break down his evolution from viral sensation to label boss. Fresh off launching his label Blown Boy Entertainment and releasing his new album Blown Boy Ru, Ruger opens up about heartbreak, hate, and healing. He talks about sneaking out to study Dancehall, learning to write in Patois, and how songs like "Warning" and "Make Way" reflect his truth. He shares what it was like leaving his former label, facing doubters who said he’d fall off, and how Wizkid’s tweet gave him the push to keep going, he says after dropping "Toma Toma" with Tiwa Savage. Now running his own show, Ruger reflects on artist development, mental discipline, and why his next signee “has to be better than me.” He also breaks down his joint project with BNXN (Buju)—Romeo Must Die—and how collaboration showed a new side of him. Whether you're a fan of Afrobeats, Dancehall, or the business behind the music, this conversation cuts deep—streaming from Lagos to London, Toronto to Houston, wherever the African sound resonates.
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