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This hymn uses a sentimental popular song form with a verse/chorus pattern in 6,8 time. The excerpt from the composer says, "Although this hymn is a sentimental favorite of many, the subject of the cross is far from pleasant. As I read through this hymn text, I opted to set the first two verses in a minor key to underscore the agony of the cross. This arrangement starts in the style of the great romantics, like Rachmaninoff, and needs to be played with great passion as well as nuance throughout. I wrote in an orchestral fashion, using the full range of the piano. When the key center shifts to C major at measure 82, it comes as a welcome relief, partly because of the heaviness of the minor sound that precedes it." This hymn is one of the favorites of my friend, Wavalee. She and her husband helped found North Scottsdale United Methodist Church, where they have the great digital organ that my assistant, Duane, has worked many, many hours updating. I hope you enjoy it.
By Donna Marie HartleyThis hymn uses a sentimental popular song form with a verse/chorus pattern in 6,8 time. The excerpt from the composer says, "Although this hymn is a sentimental favorite of many, the subject of the cross is far from pleasant. As I read through this hymn text, I opted to set the first two verses in a minor key to underscore the agony of the cross. This arrangement starts in the style of the great romantics, like Rachmaninoff, and needs to be played with great passion as well as nuance throughout. I wrote in an orchestral fashion, using the full range of the piano. When the key center shifts to C major at measure 82, it comes as a welcome relief, partly because of the heaviness of the minor sound that precedes it." This hymn is one of the favorites of my friend, Wavalee. She and her husband helped found North Scottsdale United Methodist Church, where they have the great digital organ that my assistant, Duane, has worked many, many hours updating. I hope you enjoy it.