Ryan Sarah Murphy's reclaimed cardboard relief sculptures, powered by the visceral impact of color combinations, act as visual meditations on geographical location, placemaking, architecture, and spatial awareness. Her videos, generated through multiple digital interventions on random images and movements, are enigmatic, animated paintings that look like pixels, binary code, or even deconstructed maps, a visual reference to her fixed cardboard works. Her drawings, which begin as tracings of stills from her videos, complete the multi-dimensional deconstruction of her creative cycle.

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