Federico Campagna presents Russian theologian (and mathematician, engineer and philosopher) Pavel Florensky’s 1920 essay “Reversed Perspective” and his interpretation of the language of sacred forms. 

Image credits: Andrey Rublev, The Trinity or The Hospitality of Abraham, 1411-1427.

Federico Campagna presents Russian theologian (and mathematician, engineer and philosopher) Pavel Florensky’s 1920 essay “Reversed Perspective” and his interpretation of the language of sacred forms. Image credits: Andrey Rublev, The Trinity or The Hospitality of Abraham, 1411-1427.

S1E14 – Pavel Florenksy, "Reversed Perspective"

The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/


The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a world, or with the eternal unworldly. Spanning mysticism, politics, mythology, philosophy, video-game design and more, the shelves of Overmorrow’s Library are a space for experimenting with the apocalypse, and with the ignition of new cosmogonies.


Federico Campagna is an Italian philosopher and writer living in London. His latest books are ‘Prophetic Culture: Recreation for Adolescents’ (Bloomsbury, 2021), ‘Technic and Magic: The Reconstruction of Reality’ (Bloomsbury, 2018), and ‘The Last Night: Anti-work, Atheism, Adventure’ (Zero Books, 2013). He is a lecturer and tutor at KABK, The Hague, and has presented his work in institutions including the Warburg Institute, the Royal Academy, the 57th and 58th Venice Biennale, Documenta 13, Winzavod Center, Jameel Art Centre, Tate Modern and the Serpentine Gallery. He is the director of rights at the radical publisher Verso Books.

Image credit: The Gilgamesh Tablet (Library of Ashurbanipal), 7th c. BCE. The British Museum, London. © The Trustees of the British Museum.

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The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/ The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a world, or with the eternal unworldly. Spanning mysticism, politics, mythology, philosophy, video-game design and more, the shelves of Overmorrow’s Library are a space for experimenting with the apocalypse, and with the ignition of new cosmogonies. Federico Campagna is an Italian philosopher and writer living in London. His latest books are ‘Prophetic Culture: Recreation for Adolescents’ (Bloomsbury, 2021), ‘Technic and Magic: The Reconstruction of Reality’ (Bloomsbury, 2018), and ‘The Last Night: Anti-work, Atheism, Adventure’ (Zero Books, 2013). He is a lecturer and tutor at KABK, The Hague, and has presented his work in institutions including the Warburg Institute, the Royal Academy, the 57th and 58th Venice Biennale, Documenta 13, Winzavod Center, Jameel Art Centre, Tate Modern and the Serpentine Gallery. He is the director of rights at the radical publisher Verso Books. Image credit: The Gilgamesh Tablet (Library of Ashurbanipal), 7th c. BCE. The British Museum, London. © The Trustees of the British Museum.

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S1E14 – Pavel Florenksy, "Reversed Perspective"

S1E14 – Pavel Florenksy, "Reversed Perspective"

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