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S2 EP.12 In Discussion with Sara Lovett
Our guest today is Sara Lovett.
www.saralizlovett.com
Instagram: @saralizlovett
Facebook: Sara Lovett Author
Sara is a writer, performer, expressive art therapist, and somatic movement educator. She holds a BFA in acting from The University of Texas at Austin, and an M.A. in Depth Psychology with a somatic emphasis from Pacifica Graduate Institute where she is also pursuing her doctorate. Through an art-based movement practice called Inscaping, Sara works with clients on
life transitions, and body image, she also works with actors on their self-care as they deal with emotionally challenging roles. She also teaches writing classes on autobiographical writing and overcoming writer’s block. She is the author of the memoir, The Invisible Bones, and is currently writing the companion workbook, The Friendship Index.
We discussed Sara’s journey of healing through authoring her
memoir ‘The Invisible Bones’, and the significance of boundaries between character and actor and safeguarding personal trauma before embodying a character’s trauma. We began with sara’s decision to be a participant in her own research into actor wellbeing that had her taking on the role of Constance in a monologue from Shakespeare’s King John.
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By Alan Powell, Nicole PowellOur guest today is Sara Lovett.
www.saralizlovett.com
Instagram: @saralizlovett
Facebook: Sara Lovett Author
Sara is a writer, performer, expressive art therapist, and somatic movement educator. She holds a BFA in acting from The University of Texas at Austin, and an M.A. in Depth Psychology with a somatic emphasis from Pacifica Graduate Institute where she is also pursuing her doctorate. Through an art-based movement practice called Inscaping, Sara works with clients on
life transitions, and body image, she also works with actors on their self-care as they deal with emotionally challenging roles. She also teaches writing classes on autobiographical writing and overcoming writer’s block. She is the author of the memoir, The Invisible Bones, and is currently writing the companion workbook, The Friendship Index.
We discussed Sara’s journey of healing through authoring her
memoir ‘The Invisible Bones’, and the significance of boundaries between character and actor and safeguarding personal trauma before embodying a character’s trauma. We began with sara’s decision to be a participant in her own research into actor wellbeing that had her taking on the role of Constance in a monologue from Shakespeare’s King John.
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