The discussion about the growing list of looted and illicitly acquired museum treasures is one that most Westerners would rather not think about. Unless a scandal, a protest, a movie or a contemporary artwork forces ex-colonising countries to confront the firm grip that their institutions maintain on access to knowledge, cultural materials and the global narratives of history. Since 2016, Nora Al-Badri has been developing artworks that use AI, deepfake technology and 3D scanning to spark debates about power imbalances and ethical museum practices.

Nora Al-Badri
https://www.nora-al-badri.de

The Other Nefertiti
https://aksioma.org/the.other.nefertiti

The Last Museum
https://www.kw-berlin.de/thelastmuseum/nora-1

Host: Régine Debatty
Guest: Nora Al-Badri 

Recording: Régine Debatty
Music, editing and audio mix: Gašper Torkar

The Future Behind Us podcast series

Curated by: Régine Debatty
Coordinated by: Janez Fakin Janša

Produced by: Marcela Okretič

Production:
Aksioma | Institute for Contemporary Art Ljubljana, 2024

Part of:
PXXP•XXV: Speculation and Decay

Conceived and co-organised by:
Aksioma

For:
Pixxelpoint – 25th International Festival of Contemporary Art Practices

Produced and co-organised by:
Nova Gorica Arts Centre

In the framework of:
GO! 2025 – European Capital of Culture, Nova Gorica 2025

Supported by:
the Ministry of Culture of the Republic of Slovenia and the Municipality of Nova Gorica

The post S4 [The Future Behind Us] E2: Decolonising Museum Collections [w/ Nora Al-Badri] appeared first on Aksioma.