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Chaz and the assembled Order of Mildly Concerned Scholars (Wolfy, Scott, Corey, and returning guests Heath McCoy, Laura Morrissette, Debbie Pastore, and Michael Pastore) set out this week expecting to discuss "Mr. Blackwell."
Instead, they find themselves attending his funeral.
Not literally.
Emotionally.
Because this week isn't really about the song.
It's about what happens when the villain finally gets a chance to explain himself.
What unfolds is less a chapter of Scott's ever-expanding Elder screenplay and more a direct transmission from a past nobody was expecting to feel sorry for. The armies vanish. The battlefield falls silent. The purple lightning takes the night off.
And standing where the monster used to be...
...is a father.
A grieving widower trying to protect his daughter.
A man desperately looking for purpose after loss.
A future tyrant who, disturbingly, sounds an awful lot like a hero.
Laura Morrissette returns as a young Sypha and immediately steals the episode, while Heath McCoy takes on a younger Mr. Blackwell—a version of the character who still believes the world makes sense, the Elders can be trusted, and promises actually mean something.
Meanwhile, Scott continues constructing a mythology that becomes more complicated every time someone tries to explain it.
There are sacred groves.
There are magical oaths.
There are mysterious ceremonies that become increasingly difficult to distinguish from recruitment into an extremely powerful fantasy cult.
And hovering over everything is a growing realization that Cornelius and Blackwell may not be opposites at all.
They may simply be standing at different points on the same road.
There is sympathy.
There is suspicion.
There is the uncomfortable sensation that the story has quietly shifted beneath everyone's feet.
Because once you've seen the man before the fall...
...it's a lot harder to cheer for the fall.
Featuring:
THIS WEEK'S SONG:
"Mr. Blackwell" — KISS
FINAL VERDICT:
Not the story of a villain.
The story of how a hero becomes one.
That feels much closer to the established Regarding Elder house style.
The Show
In this season of Regarding…, the panel tackles KISS’s Music From The Elder one song at a time—testing whether its epic ambition holds up under scrutiny. Alongside the analysis, Scott D. Monroe’s original screenplay tries to turn the album’s abstract mythology into an actual story.
Ambition meets accountability.
GO BONELESS
Certified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast.
Hosted on Acast. See acast.com/privacy for more information.
By Chaz Charles, Greg Wolfe, Scott Monroe, Corey Morrisette5
66 ratings
Chaz and the assembled Order of Mildly Concerned Scholars (Wolfy, Scott, Corey, and returning guests Heath McCoy, Laura Morrissette, Debbie Pastore, and Michael Pastore) set out this week expecting to discuss "Mr. Blackwell."
Instead, they find themselves attending his funeral.
Not literally.
Emotionally.
Because this week isn't really about the song.
It's about what happens when the villain finally gets a chance to explain himself.
What unfolds is less a chapter of Scott's ever-expanding Elder screenplay and more a direct transmission from a past nobody was expecting to feel sorry for. The armies vanish. The battlefield falls silent. The purple lightning takes the night off.
And standing where the monster used to be...
...is a father.
A grieving widower trying to protect his daughter.
A man desperately looking for purpose after loss.
A future tyrant who, disturbingly, sounds an awful lot like a hero.
Laura Morrissette returns as a young Sypha and immediately steals the episode, while Heath McCoy takes on a younger Mr. Blackwell—a version of the character who still believes the world makes sense, the Elders can be trusted, and promises actually mean something.
Meanwhile, Scott continues constructing a mythology that becomes more complicated every time someone tries to explain it.
There are sacred groves.
There are magical oaths.
There are mysterious ceremonies that become increasingly difficult to distinguish from recruitment into an extremely powerful fantasy cult.
And hovering over everything is a growing realization that Cornelius and Blackwell may not be opposites at all.
They may simply be standing at different points on the same road.
There is sympathy.
There is suspicion.
There is the uncomfortable sensation that the story has quietly shifted beneath everyone's feet.
Because once you've seen the man before the fall...
...it's a lot harder to cheer for the fall.
Featuring:
THIS WEEK'S SONG:
"Mr. Blackwell" — KISS
FINAL VERDICT:
Not the story of a villain.
The story of how a hero becomes one.
That feels much closer to the established Regarding Elder house style.
The Show
In this season of Regarding…, the panel tackles KISS’s Music From The Elder one song at a time—testing whether its epic ambition holds up under scrutiny. Alongside the analysis, Scott D. Monroe’s original screenplay tries to turn the album’s abstract mythology into an actual story.
Ambition meets accountability.
GO BONELESS
Certified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast.
Hosted on Acast. See acast.com/privacy for more information.

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