In the fourth episode in our series on Shakespeare and Race, we turn to the theatre industry to examine how whiteness has dominated – and continues to dominate – our theatres, from the work that we stage to the people who make up our organisations. We spoke to Kobna Holdbrook-Smith, Jade Anouka, Adjoa Andoh, Sarah Amankwah and Federay Holmes, who reflected on some of their experiences across the theatre industry, discussed the particular knottiness of Shakespeare and asked what work needs to be done to make theatres and rehearsal rooms actively anti-racist.