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When the realities of censorship made filming in Cuba impossible, production of Los Frikis moved to the Dominican Republic, where cinematographer Santiago González and his team worked tirelessly to create a world that felt authentic down to the sodium vapor streetlights. In this special Camerimage episode, Ava Benjamin Shorr and Lauren Guiteras sit down with Santiago and break down how the film’s color palette, lens choices, and shooting methodology reinforce its themes of rebellion and freedom.
Los Frikis will be available to stream beginning March 28th.
If you are enjoying the podcast, please consider supporting our efforts on Patreon.
Santiago Gonzalez’s Instagram | Website
Ava Benjamin Shorr’s Instagram | Website
Lauren Guiteras’s Instagram | Website
This episode is sponsored by Fujifilm, Creamsource and Sandisk, with special thanks to Kondor Blue.
By Cinematography Salon5
3131 ratings
When the realities of censorship made filming in Cuba impossible, production of Los Frikis moved to the Dominican Republic, where cinematographer Santiago González and his team worked tirelessly to create a world that felt authentic down to the sodium vapor streetlights. In this special Camerimage episode, Ava Benjamin Shorr and Lauren Guiteras sit down with Santiago and break down how the film’s color palette, lens choices, and shooting methodology reinforce its themes of rebellion and freedom.
Los Frikis will be available to stream beginning March 28th.
If you are enjoying the podcast, please consider supporting our efforts on Patreon.
Santiago Gonzalez’s Instagram | Website
Ava Benjamin Shorr’s Instagram | Website
Lauren Guiteras’s Instagram | Website
This episode is sponsored by Fujifilm, Creamsource and Sandisk, with special thanks to Kondor Blue.

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