
Sign up to save your podcasts
Or


In response to the question “Is music by women womanish?” composer Sarah Kirkland Snider discusses “emotional” music by Classical composers; charges of femininity in her own music by The New York Times; aging gracefully; and sex appeal.
Sarah’s website
More classical music statistics:
https://americanorchestras.org/2022-orchestra-repertoire-report/
https://donne-uk.org/research-new/
Music You Heard:
“Agnus Dei,” Mass for the Endangered - Sarah Kirkland Snider, Gallicantus
Adagio for Strings - Samuel Barber
“Morning Mood,” Peer Gynt, Op. 23 - Edvard Grieg
“Prelude,” Unremembered - Sarah Kirkland Snider, Shara Nova
"Prélude in E minor," Op. 28, no. 4 - Frédéric Chopin
“The Lotus Eaters,” Penelope - Sarah Kirkland Snider, Shara Nova
“We Need a Room,” Childworld - Sky Creature
By CapRadio5
2020 ratings
In response to the question “Is music by women womanish?” composer Sarah Kirkland Snider discusses “emotional” music by Classical composers; charges of femininity in her own music by The New York Times; aging gracefully; and sex appeal.
Sarah’s website
More classical music statistics:
https://americanorchestras.org/2022-orchestra-repertoire-report/
https://donne-uk.org/research-new/
Music You Heard:
“Agnus Dei,” Mass for the Endangered - Sarah Kirkland Snider, Gallicantus
Adagio for Strings - Samuel Barber
“Morning Mood,” Peer Gynt, Op. 23 - Edvard Grieg
“Prelude,” Unremembered - Sarah Kirkland Snider, Shara Nova
"Prélude in E minor," Op. 28, no. 4 - Frédéric Chopin
“The Lotus Eaters,” Penelope - Sarah Kirkland Snider, Shara Nova
“We Need a Room,” Childworld - Sky Creature