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This time we talk to Sarah and Mark about their extensive experience writing and directing pantomime. Their own particular brand of raucous rock-n-roll panto has been seen for 19 consecutive years at the Liverpool Everyman, during which time, along side their multi-talented cast of actor-musicians, they have built a loyal and lively audience.
We hear about their unique approach to developing the script, the true intent of the Flowerpot Men, managing the hazards of magic hair, and getting into a panto frame of mind on a beach in mid August.
They also talk frankly about the precarious nature of being a freelancer, but despite having made ther last panto for the Everyman, and facing an uncertain year, rest assured; it might well be behind you, but it's most certainly not behind them..
By James Farncombe and Bruno Poet4
22 ratings
This time we talk to Sarah and Mark about their extensive experience writing and directing pantomime. Their own particular brand of raucous rock-n-roll panto has been seen for 19 consecutive years at the Liverpool Everyman, during which time, along side their multi-talented cast of actor-musicians, they have built a loyal and lively audience.
We hear about their unique approach to developing the script, the true intent of the Flowerpot Men, managing the hazards of magic hair, and getting into a panto frame of mind on a beach in mid August.
They also talk frankly about the precarious nature of being a freelancer, but despite having made ther last panto for the Everyman, and facing an uncertain year, rest assured; it might well be behind you, but it's most certainly not behind them..