Satanic Youth Kenya (SatanYK)

Satanic Youth Kenya (SatanYK)

By Satan YKSociety & Culture
Download on the App Store

Satanic Youth Kenya (SatanYK) episodes

  • SatanYK EP LXXV VINTAGE INDIAN SONGS 1900s part 3

    https://archive.org/details/www.VintageSense.com-Vintage-Indian-Music-67n
    Vintage Indian music presented here comprises songs, geets, music, etc (film, non-film, theatrical, folk, and classical) of the subcontinent mainly produced / recorded before 1960. However, certain recordings with melodious worth beyond 1960 are also included. Some Pakistani songs of musical worth are also included.Hindi film songs are present in Hindi cinema right from the first sound film Alam Ara (1931) by Ardeshir Irani which featured seven songs. This was closely followed by Shirheen Farhad (1931) by Jamshedji Framji Madan, also by Madan, which had as many as 42 song sequences strung together in the manner of an opera, and later by Indra Sabha which had as many as 69 song sequences. However, the practice subsided and subsequent films usually featured between six to ten songs in each production.Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema. In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand. Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals".The language of Hindi movie songs, generally termed Hindi, can be complex. Some songs are saturated with Urdu and Persian terms. Several other Indian languages have also been used including Braj, Bhojpuri, Punjabi and Rajasthani. Indian cinema, with its characteristic film music, has not only spread all over Indian society, but also been on the forefront of the spread of India's culture around the world.Period of 1940s was the revolutionary for singing in films. Singing stars tradition changed to playback singing, thus bringing in great new talented singers. K.L.Saigal maintained his singing star dominance until his death in 1946. Suraiya emerged as one of the earliest playback singers (Darshan, 1942) but turned a singing star later. Great singers, like Noorjehan, Amirbai Karnatki, Zohrabai Amabalawali, Parul Ghosh, Kanan Devi, Arun Kumar, Snehprabha, Shamshad Begum, G.M.Durrani, Madhubala Zaveri, Mohammad Rafi, Lata Mangeshkar, Mukesh, Talat Mahmood, Geeta Dutt, Hemant Kumar, Kishore Kumar, Suman Kalyanpur, Mubarak Begum emerged and dominated their era.The period of 1950s was the period when film was music and music was film. Watch "Baiju Bawra" (1952) and about three hours you live in music. Many films with great music were made during this era. To mention a few, like Aan, Malhar, Awara, Nagin, Anarkali, Uran Khatola, Shabab, Amar, Seema, Chori Chori, Ashiana, Taxi Driver, Mother India, Patita, Shree 420, Jhanak Jhanak Payal Baaje, Vachan etc. is only a base reference.Trend of Great music continued in 1960s with some new blend of orchestra approach. Many films with great music appeared, like Mughal-e-Azam, Professor, Janwar, Aashiq, Barsat ki Raat, Gunga Jumna, Mere Mehboob, etc

    Become a supporter of this podcast: https://www.spreaker.com/podcast/satanic-youth-kenya-satanyk--7469715/support.
    31 min
  • SatanYK EP LXXIV VINTAGE INDIAN SONGS 1900s part 2
    https://archive.org/details/www.VintageSense.com-Vintage-Indian-Music-67n
    Vintage Indian music presented here comprises songs, geets, music, etc (film, non-film, theatrical, folk, and classical) of the subcontinent mainly produced / recorded before 1960. However, certain recordings with melodious worth beyond 1960 are also included. Some Pakistani songs of musical worth are also included.Hindi film songs are present in Hindi cinema right from the first sound film Alam Ara (1931) by Ardeshir Irani which featured seven songs. This was closely followed by Shirheen Farhad (1931) by Jamshedji Framji Madan, also by Madan, which had as many as 42 song sequences strung together in the manner of an opera, and later by Indra Sabha which had as many as 69 song sequences. However, the practice subsided and subsequent films usually featured between six to ten songs in each production.Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema. In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand. Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals".The language of Hindi movie songs, generally termed Hindi, can be complex. Some songs are saturated with Urdu and Persian terms. Several other Indian languages have also been used including Braj, Bhojpuri, Punjabi and Rajasthani. Indian cinema, with its characteristic film music, has not only spread all over Indian society, but also been on the forefront of the spread of India's culture around the world.Period of 1940s was the revolutionary for singing in films. Singing stars tradition changed to playback singing, thus bringing in great new talented singers. K.L.Saigal maintained his singing star dominance until his death in 1946. Suraiya emerged as one of the earliest playback singers (Darshan, 1942) but turned a singing star later. Great singers, like Noorjehan, Amirbai Karnatki, Zohrabai Amabalawali, Parul Ghosh, Kanan Devi, Arun Kumar, Snehprabha, Shamshad Begum, G.M.Durrani, Madhubala Zaveri, Mohammad Rafi, Lata Mangeshkar, Mukesh, Talat Mahmood, Geeta Dutt, Hemant Kumar, Kishore Kumar, Suman Kalyanpur, Mubarak Begum emerged and dominated their era.The period of 1950s was the period when film was music and music was film. Watch "Baiju Bawra" (1952) and about three hours you live in music. Many films with great music were made during this era. To mention a few, like Aan, Malhar, Awara, Nagin, Anarkali, Uran Khatola, Shabab, Amar, Seema, Chori Chori, Ashiana, Taxi Driver, Mother India, Patita, Shree 420, Jhanak Jhanak Payal Baaje, Vachan etc. is only a base reference.Trend of Great music continued in 1960s with some new blend of orchestra approach. Many films with great music appeared, like Mughal-e-Azam, Professor, Janwar, Aashiq, Barsat ki Raat, Gunga Jumna, Mere Mehboob, etc

    Become a supporter of this podcast: https://www.spreaker.com/podcast/satanic-youth-kenya-satanyk--7469715/support.
    24 min
  • SatanYK EP LXXI Who Was In The Room Next Door (Lights Out Radio Horror Series)
    Lights Out debuted in 1934 and was radio's premier horror seriescreated by writer/director Wyllis Cooper, who later scripted Boris Karloff's1939 classic Son of Frankenstein.  Wyllis Cooper was a innovative radiowriter and worked on other notable shows such as The Empire Builders, QuietPlease, Campbell's Playhouse, The Army Hour, and Whitehall1212.  Lights Out truly set the bar high for other radiodramas in the 1930's due to its gore and strangeness.  It was one of thefirst old time radio shows that developed the medium of radio with distinctsound effects and dramas intended to be heard. Adhesive tape, stuck together and pulled apart, simulated the sound of aman's or woman's skin being ripped off. Pulling the leg off a frozen chickengave the illusion of an arm being torn out of its socket. A raw egg dropped ona plate stood in for an eye being gouged; poured corn syrup for flowing blood;cleavered cabbages and cantalopes for beheadings; snapped pencils and spareribsfor broken fingers and bones. The sound of a hand crushed? A lemon, laid on ananvil, smashed with a hammer. Cooper was succeeded by Arch Oboler, one of radio's greatest dramatictalents. Oboler had scripted the Mae West's infamous "Garden of Eden"sketch and brought a new level of psychological horror to radio in scripts like"Cat Wife," "Sub-Basement," and "Chicken Heart."Though most famous for his film roles, Karloff was an accomplished radioperformer who hosted his own series Boris Karloff's Treasure Chest and narratedRadio Reader's Digest broadcasts during the final two decades of hislife.⁠https://archive.org/details/lights-out_20200820/

    Become a supporter of this podcast: https://www.spreaker.com/podcast/satanic-youth-kenya-satanyk--7469715/support.
    33 min
  • SatanYK EP LXX Vintage Audio Plays From Early 1900s prt 1
    1. Francesco Tamagno sings verdi's Otello Death scene 1903
    2. "Interruptions " performed by Tom Woottwell 1909
    3. Barbara Allen Performed by Frank Luther 1928
    4. Adelina Patti singing "The Last Rose Of Summer" 1905
    5. Come Take a Trip in my Airship 1904

    Become a supporter of this podcast: https://www.spreaker.com/podcast/satanic-youth-kenya-satanyk--7469715/support.
    24 min
  • SatanYK Ep LXV- The Smile Before A Knife By Reverend Dr. Robert Ing, Church Of Satan Hirarchy, with Co-host Sakpata The Voodoo Doll

    Episode LXV The Smile Before A Knife By Reverend Dr. Robert Ing, Church Of Satan Hirarchy, with Co-host Sakpata The Voodoo Doll
    Robert Ing Substack- https://robertingdscfapsc.substack.com/p/the-smile-before-the-knife?utm_source=share&utm_medium=android&r=8ahtxw


    Become a supporter of this podcast: https://www.spreaker.com/podcast/satanic-youth-kenya-satanyk--7469715/support.
    21 min

About Satanic Youth Kenya (SatanYK)

From the publisher's feed

Welcome to Satanic Youth Kenya, the podcast where we cover conversational, informational, and comedic topics in both English and Swahili. We share ideas for youth and general audiences, and please…