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My colleague, Jackie Walduck, was showing students how to create phase music by putting loops out of synch in a DAW. Then I went home from teaching and created a PD patch to play low-pass filtered sawtooth waves, as an example for a different class. I got curious how much easier it would be in SuperCollider and created a tiny program that did the same thing and set it going at the same time. Then I started it again. The phasing was fixed, but it called to mind the shifting relationships of earlier that day.
This version is only SuperCollider, but it uses a non band limitted sawtooth to mimic phasor~ in PD. This version is 7 minutes long, but the proper version should be about 3 hours. I get lost in the phasing and feel relaxed.
I’ve attached the code below. If you want to to last longer, look for the number 340 – that’s 5’40” in seconds. Make it as long as you’d like.
By Music by Charles Céleste HUTCHINSMy colleague, Jackie Walduck, was showing students how to create phase music by putting loops out of synch in a DAW. Then I went home from teaching and created a PD patch to play low-pass filtered sawtooth waves, as an example for a different class. I got curious how much easier it would be in SuperCollider and created a tiny program that did the same thing and set it going at the same time. Then I started it again. The phasing was fixed, but it called to mind the shifting relationships of earlier that day.
This version is only SuperCollider, but it uses a non band limitted sawtooth to mimic phasor~ in PD. This version is 7 minutes long, but the proper version should be about 3 hours. I get lost in the phasing and feel relaxed.
I’ve attached the code below. If you want to to last longer, look for the number 340 – that’s 5’40” in seconds. Make it as long as you’d like.