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Saytek on Live Techno vs DJing
Live performance in electronic music is widely misunderstood.
In this episode, Saytek explains what playing live actually means and why it is fundamentally different from DJing.
Saytek has never DJed. Every performance is built, arranged, and performed live in real time. Nothing is pre-arranged, nothing is duplicated, and no two sets are ever the same.
He has been part of electronic music culture for decades, from early UK rave and squat parties to international touring, Berlin clubs, Ibiza seasons, and headlining techno rooms around the world. His background in sound engineering and deep technical understanding shaped a live performance approach that prioritises creativity, risk, and connection with the crowd.
In this conversation, we break down the realities of live techno performance.
We talk honestly about gear, Ableton, hardware myths, Berlin vs UK culture, why live acts are rarer than DJs, the sacrifices involved, and how electronic musicians actually think while performing.
This is not a DJ debate.
It’s an explanation.
Topics include:
• Why Saytek has never DJed
• What live techno performance really involves
• Hardware, Ableton, and the myth of “cheating”
• Sound engineering roots and early London club culture
• Squat parties, illegal raves, and DIY scenes
• Berlin vs UK techno culture
• What defines an electronic musician
• AI, creativity, and human imperfection
• Gear Acquisition Syndrome and why more gear isn’t the answer
⏱️ PODCAST CHAPTERS
00:00 – Saytek: “I’ve Never DJed”
04:27 – What Is Techno (and Why Live Matters)
10:56 – Live Techno Gear Explained
12:52 – Ableton Live: Tool or Cheat?
19:06 – How Saytek Got Into Live Performance
26:08 – London, Club Home & Sound Engineering Roots
32:19 – Squat Parties & Illegal Raves in London
35:53 – Berlin vs UK: Techno Culture Explained
45:02 – What Is an Electronic Musician (Not a DJ)
54:27 – AI, Creativity & the Future of Electronic Music
01:08:44 – Gear Acquisition Syndrome (GAS) Explained
If you’re a DJ, live act, producer, promoter, or someone interested in how electronic music is actually performed, this episode will give you real insight.
View all episodes
By Dexter JonesLive performance in electronic music is widely misunderstood.
In this episode, Saytek explains what playing live actually means and why it is fundamentally different from DJing.
Saytek has never DJed. Every performance is built, arranged, and performed live in real time. Nothing is pre-arranged, nothing is duplicated, and no two sets are ever the same.
He has been part of electronic music culture for decades, from early UK rave and squat parties to international touring, Berlin clubs, Ibiza seasons, and headlining techno rooms around the world. His background in sound engineering and deep technical understanding shaped a live performance approach that prioritises creativity, risk, and connection with the crowd.
In this conversation, we break down the realities of live techno performance.
We talk honestly about gear, Ableton, hardware myths, Berlin vs UK culture, why live acts are rarer than DJs, the sacrifices involved, and how electronic musicians actually think while performing.
This is not a DJ debate.
It’s an explanation.
Topics include:
• Why Saytek has never DJed
• What live techno performance really involves
• Hardware, Ableton, and the myth of “cheating”
• Sound engineering roots and early London club culture
• Squat parties, illegal raves, and DIY scenes
• Berlin vs UK techno culture
• What defines an electronic musician
• AI, creativity, and human imperfection
• Gear Acquisition Syndrome and why more gear isn’t the answer
⏱️ PODCAST CHAPTERS
00:00 – Saytek: “I’ve Never DJed”
04:27 – What Is Techno (and Why Live Matters)
10:56 – Live Techno Gear Explained
12:52 – Ableton Live: Tool or Cheat?
19:06 – How Saytek Got Into Live Performance
26:08 – London, Club Home & Sound Engineering Roots
32:19 – Squat Parties & Illegal Raves in London
35:53 – Berlin vs UK: Techno Culture Explained
45:02 – What Is an Electronic Musician (Not a DJ)
54:27 – AI, Creativity & the Future of Electronic Music
01:08:44 – Gear Acquisition Syndrome (GAS) Explained
If you’re a DJ, live act, producer, promoter, or someone interested in how electronic music is actually performed, this episode will give you real insight.