As we continue dissecting screenwriting, we look at the Bill Lancaster script for the 1982 version of The Thing. I am joined by B.J. Colangelo as we look at how translations of the same story change over time and what makes them successful; as well as the female subtext of The Thing itself.
<a href="https://twitter.com/bjcolangelo" target="_blank" rel="noopener noreferer">https://twitter.com/bjcolangelo</a>
<a href="https://twitter.com/ThisEndsAtProm" target="_blank" rel="noopener noreferer">https://twitter.com/ThisEndsAtProm</a>
<a href="https://twitter.com/schooledbcinema" target="_blank" rel="noopener noreferer">https://twitter.com/schooledbcinema</a>

As we continue dissecting screenwriting, we look at the Bill Lancaster script for the 1982 version of The Thing. I am joined by B.J. Colangelo as we look at how translations of the same story change over time and what makes them successful; as well as the female subtext of The Thing itself. https://twitter.com/bjcolangelo https://twitter.com/ThisEndsAtProm https://twitter.com/schooledbcinema

As we continue dissecting screenwriting, we look at the Bill Lancaster script for the 1982 version of The Thing. I am joined by B.J. Colangelo as we look at how translations of the same story change over time and what makes them successful; as well as the female subtext of The Thing itself.
<a href="https://twitter.com/bjcolangelo" rel="noopener noreferrer">https://twitter.com/bjcolangelo</a>
<a href="https://twitter.com/ThisEndsAtProm" rel="noopener noreferrer">https://twitter.com/ThisEndsAtProm</a>
<a href="https://twitter.com/schooledbcinema" rel="noopener noreferrer">https://twitter.com/schooledbcinema</a>

Screenwriting- The Thing

The film class you won't want to sleep through. Each mini - series looks at a different part of the film making progress from aerial shots to zoom lens.

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Screenwriting- The Thing

Screenwriting- The Thing