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In the fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Gio Maldonado and filmmaker Mario Ruiz to discuss Peter Bogdanovich's eerily prescient dissection of America split between traditionalism and progressivism, and the emergence of real desensitized and irrational violence in its populace that defines the pseudo-horror commentary of Targets (1968).
By Kyle4.7
1818 ratings
In the fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Gio Maldonado and filmmaker Mario Ruiz to discuss Peter Bogdanovich's eerily prescient dissection of America split between traditionalism and progressivism, and the emergence of real desensitized and irrational violence in its populace that defines the pseudo-horror commentary of Targets (1968).