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This is a big-girl conversation about a big-girl film! We watched artistic powerhouse Tracy Moffatt's beDevil (1993), which is comprised of three vignettes about hauntings. There was no time for digressions because there was so much to dig into in the film -- it resists easy interpretation but doesn't come across as pretentious due to the cheeky tone and incredibly stylised set. Bootleg the Dog makes a brief cameo and we chat about colonisation, storytelling and the myriad of nods to other filmmakers and artists within the film.
By Aimee Knight & Annie WatersThis is a big-girl conversation about a big-girl film! We watched artistic powerhouse Tracy Moffatt's beDevil (1993), which is comprised of three vignettes about hauntings. There was no time for digressions because there was so much to dig into in the film -- it resists easy interpretation but doesn't come across as pretentious due to the cheeky tone and incredibly stylised set. Bootleg the Dog makes a brief cameo and we chat about colonisation, storytelling and the myriad of nods to other filmmakers and artists within the film.