
Sign up to save your podcasts
Or


In the thirty-first episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by cinematographer Josh Carter and musician Ben Childs to discuss the existential crime world film about the respectability of skill and characyer identity as an abstraction in Walter Hill's stylish and influential neo-noir The Driver (1978).
By Kyle4.7
1818 ratings
In the thirty-first episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by cinematographer Josh Carter and musician Ben Childs to discuss the existential crime world film about the respectability of skill and characyer identity as an abstraction in Walter Hill's stylish and influential neo-noir The Driver (1978).