239. Second Impressions

Works for solo piano by Griffes performed by Richard Masters on September 20, 2015 and by Debussy performed by Paavali Jumppanen on November 29, 2015.Griffes: Roman Sketches, Op. 7: Night fallDebussy: 12 Preludes, Book 2On this podcast, we return to a pairing from several weeks ago: Debussy’s Preludes (Book 2, this time) and the Roman Sketches of Charles Griffes. The second set of Debussy Preludes is similar in conception to the first: a series of fairly brief works, each intended to capture some poetic scene or mood. The second book begins with “Mists” and “Dead Leaves” and goes on to evoke the grand “Gateway of the Alhambra,” a troupe of dancing fairies, and the misty English “Heaths,” concluding with a brilliant display of “Fireworks.” As before, we’ll hear the Preludes performed by Paavali Jumppanen. Before the Preludes, we’ll begin the podcast with an American Impressionist, the composer Charles Griffes, and the piece “Nightfall” from his book of Roman Sketches. “Nightfall” still shows the influence of impressionism, but it also pushes the envelope harmonically. Griffes makes liberal use of the minor second – one of the most dissonant intervals in music–in this piece, mellowing its harshness by placing it deep in the bass register. The dissonance becomes dark, shadowy–evoking the encroaching blackness of night. Playing the Griffes, we’ll again hear pianist Richard Masters.