A tense moral chess match. Dom Bettinelli, Fr. Jason Tyler, and Jimmy Akin ask: Was Picard right to cross the Neutral Zone? Cold War stakes, Henry V echoes, stellar acting.

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A shape-shifting “soft weapon,” Kzinti honor, and billion-year tech—are some powers too dangerous to exist? Dom Bettinelli and Jimmy Akin connect TAS’s “The Slaver Weapon” to Larry Niven’s Known Space.

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Parasites, pain, and ethics: Was McCoy’s cure a betrayal? Should Kirk have tried talking to a hive mind bent on torture? Dom Bettinelli, Father Jason Tyler, and Jimmy Akin tackle TOS’s “Operation—Annihilate!”

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A sinister “free” fix hides a brutal price. Is brain-harvesting the real currency? Too cheap can be deadly. Dom Bettinelli, Jimmy Akin, and Fr. Jason Tyler debate ethics, AI parallels, and horror tropes in “Dead Stop.”

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Cosmic destiny or narrative shortcut? Dom Bettinelli, Fr. Jason Tyler, and Jimmy Akin test the SNW S3 finale’s bold claims—Batel’s fate, Vezda stakes, and a Kirk–Spock mind meld that sparks big questions. Are godlike foes killing drama?

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Can empathy with a Gorn change Trek’s future? Dom Bettinelli, Jimmy Akin, and Fr. Jason Tyler unpack “Terrarium”—Metrons, La’an’s shot, and Ortegas’ trauma—plus fiery feedback on Trek comedy.

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Identity, ethics, and comedy collide as SNW turns the crew Vulcan. Dom Bettinelli, Fr. Jason Tyler, and Jimmy Akin ask: Is logic a skill or a serum? Was Uhura’s mind-meld fair play?

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Is Starfleet an empire in disguise—or humanity’s best defense? Dom Bettinelli, Jimmy Akin, and Fr. Jason Tyler unpack Strange New Worlds’ What is Starfleet? as a documentary questions militarism, morality, and the Federation’s true nature.

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A Death Star-like ship, lost humans turned monsters, and Kirk’s trial by fire—Dom Bettinelli, Jimmy Akin, and Fr. Jason Tyler debate leadership, morality, and hidden Easter eggs in Strange New Worlds: The Sehlat Who Ate Its Tail.

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Demonic possession, eyes destroyed, and a prison of ancient evil—how far can Trek lean into horror? Dom Bettinelli, Jimmy Akin, and Fr. Jason Tyler unpack the terror and theology of “Through the Lens of Time.”

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