Our cultural fascination with darkness — figures who transgress moral and legal boundaries — has deep historical roots. From medieval broadsides recounting the crimes of outlaws, to Victorian penny dreadfuls, to 20th‑century true crime magazines, societies have long packaged deviance as spectacle. Early criminologists like Cesare Lombroso searched for the ‘born criminal,’ pathologizing deviance as biological destiny, while Émile Durkheim argued that crime is a normal feature of social life, clarifying the boundaries of collective morality. In the 20th century, psychology shifted the frame: Freud located aggression and eros within the psyche; behaviorists highlighted reinforcement; and later, social-cognitive theories explored how scripts and schemas shape attraction and imitation. Contemporary frameworks — attachment theory, dark triad research (narcissism, Machiavellianism, psychopathy), and parasocial relationships — help explain why some individuals are magnetized by lethal charisma while others recoil. Today’s media ecosystem accelerates these dynamics, rendering the transgressive both hyper-visible and algorithmically intimate.