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"I steered safely around the lions only featuring a loop of a growl buried towards the end of the piece. I was more intrigued by the sound of insects and cracking undergrowth, moving noises. These were sampled and re pitched. I added kalimba played through a granular effects pedal and it skittered around the mix. Percussion shakes were found sounds of beads brushed on a contact mic.
"Finally I added a free form melody via the tocante phashi. This is a solar powered touch synth that has a very esoteric playing style ( live circuit bending) and strange tuning structure. It added a haunting feel as modular synth emulated insect noises and something prowled just out of sight."
Serengeti soundscape reimagined by Andy Billington.
By Cities and Memory4.8
1212 ratings
"I steered safely around the lions only featuring a loop of a growl buried towards the end of the piece. I was more intrigued by the sound of insects and cracking undergrowth, moving noises. These were sampled and re pitched. I added kalimba played through a granular effects pedal and it skittered around the mix. Percussion shakes were found sounds of beads brushed on a contact mic.
"Finally I added a free form melody via the tocante phashi. This is a solar powered touch synth that has a very esoteric playing style ( live circuit bending) and strange tuning structure. It added a haunting feel as modular synth emulated insect noises and something prowled just out of sight."
Serengeti soundscape reimagined by Andy Billington.