Seth Rosenbloom, the fiery young blues guitarist from Massachusetts, brings his wealth of musical knowledge and performing experience to the Chewing the Gristle podcast. What begins as a gear chat about Two Rock amplifiers quickly evolves into a fascinating exploration of musical authenticity and the hard realities of making a living as a performing musician.

When Seth discovered his prized 1956 Stratocaster at Lark Street Music, it changed his entire perspective on the instrument. "It's not as bright as I associated with maple neck Strats," he explains, highlighting how vintage instruments often defy our modern expectations. The same revelation occurred when he first played genuine 1950s Les Pauls with their bell-like clarity, so different from the heavier, woofier sound of later models. These insights reveal how our perceptions of iconic instruments are often shaped by mass-produced versions rather than the originals that created their legendary status.

The conversation takes a compelling turn as Seth shares his journey from metal-loving teenager to blues guitarist. A pivotal moment came when his mother, hoping to discourage his musical aspirations, took him to see an up-and-coming blues player at a small jazz club - Joe Bonamassa. Rather than dissuading Seth, the experience ignited his passion for blues guitar. With his father's cautious blessing (himself a professional classical musician), Seth eventually dropped out of high school to pursue music full-time, a decision that shaped his career path.

What truly sets this episode apart is the candid discussion about the business realities musicians face. From the challenge of finding good booking agents to the economics of small venues, Seth and Greg pull back the curtain on aspects of performing that fans rarely consider. "Getting a record deal is almost easy in comparison to getting a decent booking agent," Greg notes, while Seth reveals why he consistently performs better in seated venues than standing rock clubs.

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