Today, the guys took on a batch of listener questions that ran the gamut from what’s the best schedule for a rapid release of a trilogy to what kind of markets we’ve targeted with Facebook advertising to what to do (and not to do) when choosing a book title. And in case you missed it last week, we have a

SFFMP 199: Rapid Release, Marketing Serials, and Going Non-Exclusive with Audiobooks

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The guys are taking a break from the podcast (if you have comments or suggestions for what you’d like to see if we bring it back in a couple of months, please leave them!), but we answered another pile of listener questions today amid a few doggie interruptions, ahem. Here are the specific questions we addressed: How do you approach

SFFMP 223: Marketing Audiobooks, Pen Names, Differences in Distributors, and What to Do When You Just Have One Book

On today’s show, the guys answered listener questions about pre-orders, rapid releases, how they found their editors, whether it make sense to keep series in Kindle Unlimited while publishing stand-alone novels wide, and lots of other stuff. Here’s a list of the questions they got to in the show (the second half of the batch will be answered next week):

SFFMP 222: Do Pre-Orders Work, What Happens Between Rapid Releases, and Finding a Good Editor

This week, we chatted with RITA award-winning fantasy romance author Jeffe Kennedy. She started her career writing non-fiction, shifted to romance and fantasy romance with traditional publishing, and now does some self-publishing as well. We asked her about whether awards are worth trying for, her thoughts on the professional organizations SFWA and RWA, and what she’s tried and liked for

SFFMP 221: Whether Awards Are Worth Trying for, Marketing Fantasy Romance, and Being Active in SFWA and RWA

This week, traditionally and self-published fantasy author Gail Carriger joined us for the second time. She first visited two years ago to chat about all the marketing she does and also about how she was transitioning from traditional publishing to a hybrid career. Since then, she’s continued to self-publish, including a new pen name in a slightly steamier fantasy genre. We

SFFMP 220: Succeeding at Traditional Publishing as Well as Self-Publishing and When It’s Worth it to Travel for Conventions

For this week’s show, sci-fi/fantasy/horror author Chris Philbrook joined us to talk about the success he’s had with ebooks and audiobooks (he’s had several deals with Audible for production), as well as a new YA-writing pen name that he’s starting up. Here are some of the specifics that we discussed: Publishing fiction to your website and building a readership before

SFFMP 199: Rapid Release, Marketing Serials, and Going Non-Exclusive with Audiobooks

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