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🎙 PODCAST SHOW NOTES (ABRIDGED READING)
Title:SHIVA or 7 Days Waste — Abridged Working Reading (MDNTMRKTVOX)
Description:This episode presents the first recorded reading of SHIVA or 7 Days Waste—an abridged working edition of a developing theatrical piece.
This is not the final play.This is not even the play as it will exist on stage.
This is the threshold version—where language leaves the page and begins to resist its own author.
What You’re Hearing
A raw vocal rendering of the opening monologue
A text still in motion, not yet shaped by actors, directors, or stage design
A script in its skeletal form—before breath, timing, and embodiment complicate it
Why This Matters
Theater is not written to be read.It is written to be heard, held, and altered.
This recording captures the moment where:
private language becomes public sound
internal rhythm meets external resistance
intention begins to fail productively
Core Themes
Destruction as repetition, not spectacle
Time as rotation, not progression
Memory as residue, not narrative
Performance as betrayal of text
What’s Missing (On Purpose)
This version does not yet include:
Actor interpretation
Directorial intervention
Physical staging
Environmental tension
Those absences are not gaps.They are future collaborators waiting to arrive.
Listen Here
Spotify: https://open.spotify.com/show/76ZkFzYDkh0SbZDZelbLW8Apple Podcasts: https://podcasts.apple.com/us/podcast/mdntmrktvox/id1880114031
Follow / Track Development
Substack: [Your GRENBK:DTW / MDNTMRKT page]LinkedIn / Facebook: MDNTMRKT CONT
Closing Note
This is a working edition.It will change.It should change.
If it doesn’t—then something has gone wrong.
By MDNTMRKTVOX🌘🌒🎙 PODCAST SHOW NOTES (ABRIDGED READING)
Title:SHIVA or 7 Days Waste — Abridged Working Reading (MDNTMRKTVOX)
Description:This episode presents the first recorded reading of SHIVA or 7 Days Waste—an abridged working edition of a developing theatrical piece.
This is not the final play.This is not even the play as it will exist on stage.
This is the threshold version—where language leaves the page and begins to resist its own author.
What You’re Hearing
A raw vocal rendering of the opening monologue
A text still in motion, not yet shaped by actors, directors, or stage design
A script in its skeletal form—before breath, timing, and embodiment complicate it
Why This Matters
Theater is not written to be read.It is written to be heard, held, and altered.
This recording captures the moment where:
private language becomes public sound
internal rhythm meets external resistance
intention begins to fail productively
Core Themes
Destruction as repetition, not spectacle
Time as rotation, not progression
Memory as residue, not narrative
Performance as betrayal of text
What’s Missing (On Purpose)
This version does not yet include:
Actor interpretation
Directorial intervention
Physical staging
Environmental tension
Those absences are not gaps.They are future collaborators waiting to arrive.
Listen Here
Spotify: https://open.spotify.com/show/76ZkFzYDkh0SbZDZelbLW8Apple Podcasts: https://podcasts.apple.com/us/podcast/mdntmrktvox/id1880114031
Follow / Track Development
Substack: [Your GRENBK:DTW / MDNTMRKT page]LinkedIn / Facebook: MDNTMRKT CONT
Closing Note
This is a working edition.It will change.It should change.
If it doesn’t—then something has gone wrong.