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We started our 18-day shoot of our Christmas comedy called "Nutmeg and Mistletoe."
I decided I would just hit the record button, usually at the end of each day, with my thoughts what was happening that day? What I learned, and generally what being on set for 12 hours a day is like.
It is quite unfiltered and unedited (with the occasional beep) - hope you enjoy being backstage!
In this episode: Four-hour rehearsals for the complicated stage play scene, pre-lighting the set to beat the schedule for the first time, meeting screenwriters Jen and Deb in person after eighteen months of Zoom, viewing the first 45-minute rough assembly, concerns over the "Christmas feel" without snow or reindeer, and leaning on "North Star" faith to get through the uncertainty of production.
Send a text
Questions or thoughts? => [email protected]
Get daily work updates on Instagram
By Charlie ClevelandWe started our 18-day shoot of our Christmas comedy called "Nutmeg and Mistletoe."
I decided I would just hit the record button, usually at the end of each day, with my thoughts what was happening that day? What I learned, and generally what being on set for 12 hours a day is like.
It is quite unfiltered and unedited (with the occasional beep) - hope you enjoy being backstage!
In this episode: Four-hour rehearsals for the complicated stage play scene, pre-lighting the set to beat the schedule for the first time, meeting screenwriters Jen and Deb in person after eighteen months of Zoom, viewing the first 45-minute rough assembly, concerns over the "Christmas feel" without snow or reindeer, and leaning on "North Star" faith to get through the uncertainty of production.
Send a text
Questions or thoughts? => [email protected]
Get daily work updates on Instagram