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We started our 18-day shoot of our Christmas comedy called "Nutmeg and Mistletoe."
I decided I would just hit the record button, usually at the end of each day, with my thoughts what was happening that day? What I learned, and generally what being on set for 12 hours a day is like.
It is quite unfiltered and unedited (with the occasional beep) - hope you enjoy being backstage!
In this episode: Misty and Nutmeg’s "frenemy" antagonism during the town play, using emergency floodlights and reflectors to film a power outage monologue, hearing about Jen’s work on Disney’s Galactic StarCruiser, Sarah and Madeline treating the crew to a mid-afternoon coffee cart, debating a "startup-style" invite-only launch strategy for distributors, team getting more efficient, and deciding whether to show actors rough assemblies to avoid "hurt feelings", using Shotdeck.
Send a text
Questions or thoughts? => [email protected]
Get daily work updates on Instagram
By Charlie ClevelandWe started our 18-day shoot of our Christmas comedy called "Nutmeg and Mistletoe."
I decided I would just hit the record button, usually at the end of each day, with my thoughts what was happening that day? What I learned, and generally what being on set for 12 hours a day is like.
It is quite unfiltered and unedited (with the occasional beep) - hope you enjoy being backstage!
In this episode: Misty and Nutmeg’s "frenemy" antagonism during the town play, using emergency floodlights and reflectors to film a power outage monologue, hearing about Jen’s work on Disney’s Galactic StarCruiser, Sarah and Madeline treating the crew to a mid-afternoon coffee cart, debating a "startup-style" invite-only launch strategy for distributors, team getting more efficient, and deciding whether to show actors rough assemblies to avoid "hurt feelings", using Shotdeck.
Send a text
Questions or thoughts? => [email protected]
Get daily work updates on Instagram