Comments: You might think that as a silent clown, Rob Torres would be able to travel the world and have success because his show doesn’t rely on language to craft the funny that binds performer and audiences together. You might think that, but you would be wrong because  apparently funny has different rules of engagement if your willing to travel far enough to where anything becomes possible.

This is particularly true for street performers because Street Pitches offer such a cross section of humanity. Sure this exists at your local busking pitch, but add to this equation the complete cultural shifts that come from being in a foreign land, with a foreign way of thinking and a foreign sense of what funny is and you need to have a certain mailability to make your show work.

Results varied tremendously for Rob when he founds himself in foreign lands but his willingness to look for the funny, make a connection with people and search for a narrative is something that informs this clown’s choices no mater where he finds himself.