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Should Mobile Fidelity Sound Labs and Analogue Productions just cut all of their albums at 45 RPM?
Why are all albums by Mobile Fidelity Sound Labs and Analogue Productions' just not cut at 45 PRM on either One-Step SUPERVINYL or UHQR CLARITY vinyl if these combos are the definitive 'BEST" sounding pressings?
Why do Audiophile record companies press their albums in both 33.3 RPM and 45 RPM?
Is there that much of a difference in sound quality and overall loudness between a 33.3 RPM vs. a 45 RPM cut album?
Does a 45 RPM pressing sound louder and if so why? I do a PRIMITIVE DB test on Analogue Productions' 33.3 RPM and 45 RPM Miles Davis' Kind Of Blue.
Does a 45 RPM cut ruin the flow of the album?
Find out the answers to these questions and much more!
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Why are all albums by Mobile Fidelity Sound Labs and Analogue Productions' just not cut at 45 PRM on either One-Step SUPERVINYL or UHQR CLARITY vinyl if these combos are the definitive 'BEST" sounding pressings?
Why do Audiophile record companies press their albums in both 33.3 RPM and 45 RPM?
Is there that much of a difference in sound quality and overall loudness between a 33.3 RPM vs. a 45 RPM cut album?
Does a 45 RPM pressing sound louder and if so why? I do a PRIMITIVE DB test on Analogue Productions' 33.3 RPM and 45 RPM Miles Davis' Kind Of Blue.
Does a 45 RPM cut ruin the flow of the album?
Find out the answers to these questions and much more!