Slam Radio

FORMS is the new live techno project from Brian Sanhaji and Monoloc, two artists who

have shaped Frankfurt’s uncompromising sound for more than two decades.

What began as parallel paths converges in 2025 into a single format: FORMS delivers

stripped-down, powerful live techno, raw, direct and driving. Sanhaji’s modular

architecture meets Monoloc’s dark low end weight; together they fuse their individual

signatures into a focused, high-energy performance.

Brian Sanhaji started releasing in 2000 under the alias Relic, later defining the CLR label

sound and launching his current imprint SENSOR in 2016. His discography includes two

full-length albums: Stereotype on CLR and Amount of Contour on SENSOR.

Monoloc issued two albums – Drift on CLR and The Untold Way on Dystopian – and

followed up with releases on internationally respected techno labels.

For fifteen years both artists have toured the globe, sharing stages from Berghain to

Awakenings. FORMS is not simply a collaboration of two names; it is a logical artistic

evolution, improvised, minimal and intense. Techno as structure in the moment.

INSTAGRAM instagram.com/forms_live

Website: https://weareforms.de

FORMS SoundCloud : https://soundcloud.com/weareforms

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Slam Radio is produced at www.glowcast.co.uk

Sole Dosi’s recent months have been a meeting point between different sides of her musical world, where raw club energy, deep psychedelic textures and her fascination with the natural world are finding increasingly unexpected ways to coexist.

Following How to Meet a Mermaid on Vault Sessions and Eurydice Has No More Words on Modern Minimal, her next EP, Daisy Dipping, arrives on Secta Collective on October 23. Inspired by mythology, floral geometries and the strange intelligence of living organisms, the record brings her more experimental imagination into a physical, groove-driven techno setting. December will see Daisy Tool released on Transitions, following a vinyl planned for 2027.

Behind the decks, recent appearances at Khidi Club in Tbilisi, Sisyphos and Tresor in Berlin have marked an important side of her journey. Upcoming highlights include Ankali in Prague and a headline appearance at Berlin's BCCO x 240KMH New Year event, alongside her ongoing residency at Duro Club in Milan.

Beyond the dancefloor, Sole continues developing her ambient live project, experimenting with plant biofeedback, analogue synthesis and voice. Her curiosity lies in the sounds hidden inside natural processes, from fungal networks to the microscopic geometries of flowers, and in imagining what happens when these structures find their way into electronic music.

Whether working with plants and machines or pushing a club sound system, her approach follows the same instinct: keeping techno physical while leaving enough room for the strange, the delicate and the unexpected.

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Slam Radio is produced at www.glowcast.co.uk

Linn Elisabet recently contributed a track to MORD's latest V/A, Herdersmat, and on October 23rd, they release their EP How to Love Wildly, which is featured in this mix. Always at the at the intersection of deep driving techno and experimental dance, they describe their work as “electronic symphonies”.

Immersive compositions shaped by ethereal vocals, intricate sound design, and raw broken beats. Drawing from a background in church choir and classical training, Elisabet approaches music as something experienced from within: sound as architecture, where both the club and the church become spaces that envelop the body and dissolve the individual into a larger whole.

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Slam Radio is produced at www.glowcast.co.uk

CV1 is a DJ and producer based in Tbilisi whose sound combines raw, hypnotic techno with an expressive, emotional edge. Drawing on the electronic music of the 90s and 2000s, he brings those influences into a contemporary approach to rhythm and texture. His releases include music on Suara, Planet Rhythm and Life In Patterns.

Immersed in electronic music since 2005, CV1 approaches DJing through gradual development, long transitions and careful control of tension. His sets move between deeper passages and driving, percussive techno, balancing atmosphere with dancefloor energy and maintaining a sense of continuity from start to finish.

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Jin Synth is a London-based DJ, musician and sound artist whose work blends textural experimentation with analogue noise.

Working with synthesisers, modular systems and field recordings captured through a range of microphones, her practice explores the possibilities of sound through improvisation and experimentation.

In her performances, Jin creates abstract, meditative environments, freely improvising with her setup to shape immersive and unpredictable sonic experiences. More recently, her practice has expanded further into sonic art, constructing her own instruments and DIY microphones to uncover and produce unique sounds.

For this mix for Slam Radio, Jin brings that exploratory approach to the dancefloor, using 2 CDJs, 1 turntable and a Boss RE-202 Space Echo to weave together an abstract, experimental dance mix.

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Slam Radio is produced at www.glowcast.co.uk

Since the late 1980s, Anderson Noise, from Minas Gerais, has been a central figure in the

electronic music industry, playing a fundamental role in consolidating the genre in Brazil.

His career has earned him recognition from global icons, such as the legend Carl Cox, and a

prominent position in the specialized press: according to Ilustrada (Folha de S.Paulo),

Anderson Noise was responsible for putting Brazil on the world map of Techno. He is

considered the first DJ outside the Rio-São Paulo axis to achieve great success and

influence generations of DJs since the 1990s. Having performed in more than 33 countries,

he combines refined technique and a unique sensitivity in the construction of memorable

sets, reaffirming his influence on both the national and international scenes.

With over 38 years of career, the artist has an extensive catalog of releases on various

labels and has achieved impressive sales figures. His own label, Noise Music, has

established itself as the first Brazilian Techno label, celebrating its 26th anniversary in April

2025. Throughout his journey, Anderson has received dozens of awards and was elected

the best DJ for two consecutive years by DJ Mag Brazil. Furthermore, he appeared on the

prestigious DJ Mag UK Top 100 list for three consecutive years, reaching the 26th position in

the world in 2008.

His versatility is evidenced by remarkable collaborations with renowned artists such as João

Carlos Martins, Milton Nascimento, Daniela Mercury, Lulu Santos, and the Jakob Bro Trio,

among many others. In addition to his solo career, Noise maintains five distinct projects:

7777, focused on House and Disco Music; 37 37, alongside DJ Mau Mau, bringing together

two icons of the scene; the trio Nie Myer, with Henrique Portugal and Lelo Zaneti (Skank),

fusing electronic music, Jazz, and Bossa Nova; The duo AC 360, with Carla Elektra; and the

B2B with his brother Alvinho L Noise, the Noise Brothers.

A pioneer by nature, Noise revolutionized the Belo Horizonte nightlife scene in the 90s and

2000s alongside Marcelo Marent (in memoriam), holding more than 48 underground

parties in unusual locations. His avant-garde vision also gave rise to Rádio Noise, the first

online electronic music radio station in Brazil, and Bloco Noise Music, the first electronic

music bloco in Minas Gerais, launched during Carnival in 1999.

Endowed with a rare energy and a resilience characteristic of great masters, Anderson

Noise is an artist who transforms challenges into innovation. His life and work, full of

fascinating stories, can be explored in detail in the biography "O Barulho da Lua" (The Noise

of the Moon), written by journalist Claudia Assef

Tracklist via

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For syndication or radio queries: [email protected] & [email protected]

Slam Radio is produced at www.glowcast.co.uk

Raised far from the gravitational pull of dance music hubs, Dallas-born Decoder developed his craft outside traditional DJ circuits, shaping a singular voice defined by independence that remains central to his sound today.

First opening Fruity Loops at the age of ten, Decoder's relationship with electronic music began free from expectation or institutional pressure. His early productions were guided as much by video game soundtracks, synth-pop and rhythm as by techno itself, resulting in music that is light and inquisitive.

That playfulness has endured. Over time, his productions have evolved, with a distinctive sci-fi-feeling that's grounded in the techno's founding principles. Drum-led, full-bodied and often carrying a quiet melancholia, his discography draws a clear lineage from Detroit techno's futurist restraint and experimental traditions, all the while still resisting easy categorisation.

Influences range from the microtonal explorations of Aleksi Perälä to the hypnotic patience associated with Perlon-era minimalism and Ricardo Villalobos, all filtered through an instinctive sense of play. Early support from Richie Hawtin and Jeff Mills affirmed his commitment to this direction, recognition many artists work years to achieve.

In the DJ booth, Decoder treats performance as a direct extension of the studio. Sets are often built largely from unreleased material, functioning closer to live testing grounds than traditional DJ performances—ideas are trialled, stripped back and reshaped in real time with close attention to the room. After formative experiences at warehouse parties and renegade events across Texas, he began touring internationally while still in his teens, logging sets at the likes of De School, FOLD and Watergate. 2025 marked a significant turning point, with an acclaimed set at Waking Life and his debut at Berghain.

Alongside releasing on established labels, Decoder runs two imprints: Codec, a community-focused platform for collaborative projects, and TOCA, a more purist, physical-only label emphasising longevity and restraint. His forthcoming album Prakasa, released on Planet X, represents several years of studio development and reflects his continued interest in cohesion across time, genre and form.

Now operating internationally, Decoder represents a measured reinvention of techno, one that looks forward without severing ties to the past. Retaining the independence forged in Dallas warehouses and DIY parties, he remains an artist shaped not by trends, but by curiosity, patience and a disciplined belief in the power of simplicity.

Tracklist via


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-Reddit: www.reddit.com/r/Slam_Radio/


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Archive on Mixcloud: www.mixcloud.com/slam/
 


Subscribe to our podcast on


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-Amazon Music: amzn.to/2RPYnX3


-Google Podcasts: bit.ly/SRGooglePodcasts


-Deezer: bit.ly/SlamRadioDeezer
 


Keep up with SLAM: fanlink.tv/Slam 


Keep up with Soma Records: linktr.ee/somarecords 
 


For syndication or radio queries: [email protected] & [email protected]


Slam Radio is produced at www.glowcast.co.uk

Techno is a layered phenomenon. On the surface level is the talk, fleeting and temporary. Beneath it lies an intricate web woven by all manner of creatives and intellectuals. At the center of it all is the sound itself, and it is in this realm of sonic abstraction that you find Max Gardner.  

  

The San Francisco DJ and producer did not initially pursue electronic music with ambitions to promote himself as a brand. Doors opened nonetheless, and they never stopped. He is now one of the artists most closely associated with Bay Area techno, releasing on labels like Sonic Groove, Blank Code, and Northern Parallels.   

  

A pivotal turning point saw Max launch a label called Peer. He set forth to create a techno platform free of superstar ego, prioritizing musical merit over celebrity. Since its launch, Peer has become a respected outlet for forward-thinking underground techno from both established artists and emerging voices. 

  

Max's often psychedelic, sometimes suspenseful, always hypnotic range of the techno spectrum has brought him to audiences across the US and Europe, with performances in New York, Detroit, Los Angeles, Berlin, Barcelona, Amsterdam, Madrid, Lisbon, Medellín, and more. At home, he has held residencies at essential San Francisco venues including F8, 1015 Folsom, Monarch, and the legendary 222 Hyde. 

  

As founder of the influential Direct to Earth collective and a resident throughout its 15+ year history, Max helped establish the foundation for San Francisco's modern techno community long before the genre reached its current prominence in the Bay Area. What began as a niche scene has since grown into a thriving network of artists, promoters, venues, and audiences. 

  

Max Gardner lives for the ephemeral moments in which time stands still, where words fail, as pure and honest audio shakes every reveler to their core. To see him behind the decks is to understand that he belongs here. He knows this world intimately. His place in it is permanent.

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Slam Radio is produced at www.glowcast.co.uk

Ferdinger, a native of the southern region of Germany and currently based in Paris, has carved a name for himself as an uncompromising artist within the realm of techno. Known for his invigorating sound that seamlessly blends 90s-inspired timbres with contemporary textures, Ferdinger delivers an unparalleled sonic experience that pulses with energy and excitement.

In his productions and DJ sets, Ferdinger skillfully crafts a mesmerizing realm of grooves. From the hypnotic and minimalist to the vibrant and abundant, his music embodies a constant evolution and an unwavering commitment to sonic diversity. A distinctive hallmark of his work is the art of evolution and variety within repetition, weaving together unique timbres, meticulous structural forms, and an eclectic range of sound textures.

Ferdinger's talent has garnered him recognition from esteemed labels including ARTS, Planet Rhythm, RAW, BCCO, Transition & Index Marcel Fengler showcasing his ability to captivate listeners and leave a lasting impact. Additionally, he proudly oversees his own imprint, Life In Patterns, where he continues to nurture emerging talents and release cutting-edge music. 

In France he has performed at, among others, Rex Club, Mia Mao, Kilomètre 25 and Mutant Festival in Paris, Kalt in Strasbourg and Ostra in Nancy. International shows have included Fold in London, Renate in Berlin, Grelle Forelle in Vienna, Rote Sonne in Munich, Under Club in Buenos Aires and Tango in Asunción. Furthermore, he has been featured with radio and streaming sets on platforms such as SECTION., Hör and Rinse France and has recently released a masterclass for Home of Sound.

With his distinct blend of nostalgic flavors and innovative sonic landscapes, Ferdinger has firmly established himself as a force to be reckoned with in the techno scene.

Tracklist via

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Keep up with SLAM: https://fanlink.tv/Slam 

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For syndication or radio queries: [email protected] & [email protected]

Slam Radio is produced at www.glowcast.co.uk

Raised far from the gravitational pull of dance music hubs, Dallas-born Decoder developed his

craft outside traditional DJ circuits, shaping a singular voice defined by independence that

remains central to his sound today.

First opening Fruity Loops at the age of ten, Decoder's relationship with electronic music began

free from expectation or institutional pressure. His early productions were guided as much by

video game soundtracks, synth-pop and rhythm as by techno itself, resulting in music that is

light and inquisitive.

That playfulness has endured. Over time, his productions have evolved, with a distinctive

sci-fi-feeling that's grounded in the techno's founding principles. Drum-led, full-bodied and

often carrying a quiet melancholia, his discography draws a clear lineage from Detroit techno's

futurist restraint and experimental traditions, all the while still resisting easy categorisation.

Influences range from the microtonal explorations of Aleksi Perälä to the hypnotic patience

associated with Perlon-era minimalism and Ricardo Villalobos, all filtered through an instinctive

sense of play. Early support from Richie Hawtin and JeffMills affirmed his commitment to this

direction, recognition many artists work years to achieve.

In the DJ booth, Decoder treats performance as a direct extension of the studio. Sets are often

built largely from unreleased material, functioning closer to live testing grounds than traditional

DJ performances—ideas are trialled, stripped back and reshaped in real time with close

attention to the room. After formative experiences at warehouse parties and renegade events

across Texas, he began touring internationally while still in his teens, logging sets at the likes of

De School, FOLD and Watergate. 2025 marked a significant turning point, with an acclaimed

set at Waking Life and his debut at Berghain.

Alongside releasing on established labels, Decoder runs two imprints: Codec, a

community-focused platform for collaborative projects, and TOCA, a more purist, physical-only

label emphasising longevity and restraint. His forthcoming album Prakasa, released on Planet

X, represents several years of studio development and reflects his continued interest in

cohesion across time, genre and form.

Now operating internationally, Decoder represents a measured reinvention of techno, one that

looks forward without severing ties to the past. Retaining the independence forged in Dallas

warehouses and DIY parties, he remains an artist shaped not by trends, but by curiosity,

patience and a disciplined belief in the power of simplicity.

Tracklist via

-Spotify: bit.ly/SRonSpotify

-Reddit: www.reddit.com/r/Slam_Radio/

-Facebook: bit.ly/SlamRadioGroup

Archive on Mixcloud: www.mixcloud.com/slam/

 

Subscribe to our podcast on

-iTunes: apple.co/2RQ1xdh

-Amazon Music: amzn.to/2RPYnX3

-Google Podcasts: bit.ly/SRGooglePodcasts

-Deezer: bit.ly/SlamRadioDeezer

 

Keep up with SLAM: https://fanlink.tv/Slam 

Keep up with Soma Records: https://linktr.ee/somarecords 

 

For syndication or radio queries: [email protected] & [email protected]

Slam Radio is produced at www.glowcast.co.uk