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I like to say we're living in a precedent time, not an unprecedented one. How do we understand that? Being at the museum or writing histories both in poetry and in non-fiction are ways of trying to understand that.
“Gatekeepers” hold an essential role in our culture as those in positions of power who determine what we see and hear — and therefore how we understand our world. The poet Kevin Young holds dual gatekeeping roles as both director of the Smithsonian’s National Museum of African American History and Culture as well as the poetry editor for The New Yorker magazine.
In this episode, Young talks about how he holds these responsibilities and likens reading a poem to entering into a museum. He also shares his belief in the power of unexpected transformations, which songs have brought him comfort, and how it’s always easiest to write about the place you’ve just left.
Smithsonian's National Museum of African American History and Culture
Public Enemy
Chuck D
Parliament Funkadelic
African American Vernacular English
Sister Sonya Sanchez
Langston Hughes
Gwendolyn Brooks
Harriet Tubman's shawl
David Hammonds’ African American Flag
Willie Nelson
Earth, Wind and Fire
John Coltrane's Love Supreme
I Want You - Marvin Gay
Mary Lou Williams
Jean-Michel Basquiat
Make Good the Promises
Ida B. Wells
Book of Hours - Kevin Young
Stones - Kevin Young
By WNYC Studios and Brown Arts Institute4.8
172172 ratings
I like to say we're living in a precedent time, not an unprecedented one. How do we understand that? Being at the museum or writing histories both in poetry and in non-fiction are ways of trying to understand that.
“Gatekeepers” hold an essential role in our culture as those in positions of power who determine what we see and hear — and therefore how we understand our world. The poet Kevin Young holds dual gatekeeping roles as both director of the Smithsonian’s National Museum of African American History and Culture as well as the poetry editor for The New Yorker magazine.
In this episode, Young talks about how he holds these responsibilities and likens reading a poem to entering into a museum. He also shares his belief in the power of unexpected transformations, which songs have brought him comfort, and how it’s always easiest to write about the place you’ve just left.
Smithsonian's National Museum of African American History and Culture
Public Enemy
Chuck D
Parliament Funkadelic
African American Vernacular English
Sister Sonya Sanchez
Langston Hughes
Gwendolyn Brooks
Harriet Tubman's shawl
David Hammonds’ African American Flag
Willie Nelson
Earth, Wind and Fire
John Coltrane's Love Supreme
I Want You - Marvin Gay
Mary Lou Williams
Jean-Michel Basquiat
Make Good the Promises
Ida B. Wells
Book of Hours - Kevin Young
Stones - Kevin Young

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