Sign up to save your podcasts
Or
Share "Sobre a angústia" for oboe, clarinet, horn, string quartet and piano
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
"Sobre a angústia" for oboe, clarinet, horn, string quartet and piano
XXII Bienal de Música Contemporânea 2017
Oboe: Luís Carlos Justi
Clarinet: Igor Carvalho
Horn: Philip Doyle
Violin I: Mariana Salles
Violin II: Ayran Nicodemo
Viola: João Senna
Cello: Pablo de Sá
Piano: Raquel Paixão
Conductor: Alexandre Schubert
Venue: Sala Cecília Meireles, Rio de Janeiro, Brazil
Premiere: October 28th 2017
"Sobre a angústia" translates from Portuguese as "about the anguish." It evokes our concerns about our dreams; the people that we care about the most; the things that are beyond our control but deeply affects us; and all the fear and anxiety that we feel when we dread to lose everything that is important to us. The piece has a sonata form with three themes in the exposition, which is an arch form. The main theme is a quotation from Brahm’s Fourth Symphony. The development is structured in a rondo form.
View all episodes
By Cadu VerdanXXII Bienal de Música Contemporânea 2017
Oboe: Luís Carlos Justi
Clarinet: Igor Carvalho
Horn: Philip Doyle
Violin I: Mariana Salles
Violin II: Ayran Nicodemo
Viola: João Senna
Cello: Pablo de Sá
Piano: Raquel Paixão
Conductor: Alexandre Schubert
Venue: Sala Cecília Meireles, Rio de Janeiro, Brazil
Premiere: October 28th 2017
"Sobre a angústia" translates from Portuguese as "about the anguish." It evokes our concerns about our dreams; the people that we care about the most; the things that are beyond our control but deeply affects us; and all the fear and anxiety that we feel when we dread to lose everything that is important to us. The piece has a sonata form with three themes in the exposition, which is an arch form. The main theme is a quotation from Brahm’s Fourth Symphony. The development is structured in a rondo form.