Today our guest is Sam Wiles, a Color Engineer at FilmConvert. Since the very beginning of digital cinema, people have been trying to get video to look like film, and that’s a very difficult thing to get right, at least at a professional level. It’s not a matter of applying a color filter, response curve, dynamic range, highlight roll-off, grain, and so many other traits of a film image have to be taken into consideration too. FilmConvert is trying to simplify this process by designing film looks tailored to specific digital sensors and log profiles, which entails a ton of testing on various cameras and film stocks. Sam and Ryan talk about how this testing contributes to a more accurate film image and how CineMatch,  FilmConvert’s new project that more easily matches color between pieces of footage shot on different cameras.

• Mentioned in the episode:
  • FilmConvert free trial
  • CineMatch
  • Sigma FP
  • ARRI Alexa
• The Lensrentals Podcast is a production of Lensrentals, founded by Roger Cicala. Our production staff includes Drew Cicala, Ryan Hill, Sarah McAlexander, SJ Smith, Julian Harper, John Tucker, and Zach Sutton. Other contributors include Roger Cicala, Joey Miller, Ally Aycock Patterson, Joshua Richardson, and Philip Robertson.
• Thanks to Jacques Granger for our theme song.
• Submit a topic idea, question or comment, leave us a voicemail at 901-609-LENS, or send us an email at [email protected].
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