A preview of Season 2 of the "Songs We Sing" Podcast

José Feliciano's "Feliz Navidad" is a classic Christmas song released in 1970. The lyrics, simple yet heartfelt, combine Spanish and English phrases wishing a Merry Christmas and expressing warm sentiments. The song's creation stemmed from Feliciano's homesickness during Christmas in Los Angeles, prompting him to write and record the song quickly. Its enduring popularity led to its induction into the Grammy Hall of Fame in 2010. The song's success is attributed to its simple and touching message of Christmas cheer.

"Jingle Bell Rock," released in 1957 and written by Jim Boothe and Joe Beal. The song's structure consists of repeating verses and bridges centered around the repetitive motif of "jingle bell rock," creating a catchy and upbeat rhythm. Key themes include the joyful celebration of Christmas through dancing, sleigh riding, and overall merriment in a snowy setting, emphasizing a festive and energetic atmosphere. The song's purpose is purely to evoke the spirit of Christmas through its lyrics and lively musicality.

"Santa Baby," a holiday classic penned by Joan Javits and Philip Springer, achieved immense popularity as Eartha Kitt's signature song and has been covered countless times. However, its inherent sexual innuendo, veiled within a seemingly innocent Christmas wish list, has generated considerable controversy. The song's double entendre, subtly presenting Santa Claus as a wealthy lover rather than a mythical figure, is a key element contributing to both its enduring appeal and its critical condemnation, leading to its inclusion on some "Worst Christmas Songs" lists.

"Christmas in Hollis," a song by Run-DMC & Jam Master Jay, recounts a Christmas Eve encounter where Run finds Santa's wallet, filled with a million dollars, and ultimately receives the money as a gift. The song then shifts to depict a joyous Christmas celebration in Hollis, Queens, emphasizing family, food, and festive traditions, as detailed by both Run and DMC. The lyrics blend a humorous anecdote with the warmth and spirit of Christmas, showcasing the group's signature rhyme style and festive cheer. Ultimately, the song celebrates both the unexpected generosity of Christmas and the communal joy of the holiday.

Tammy Wynette's "Stand By Your Man" is a hugely successful country song that topped charts in the US and internationally. The lyrics portray a woman's unwavering devotion to her man despite challenges, a theme that sparked both praise and criticism during the women's liberation movement. Its commercial success catapulted Wynette to superstardom, earning her awards and solidifying its place in music history, as evidenced by its inclusion in prestigious collections. The song's impact is also highlighted by its enduring cultural significance and continued recognition in music rankings. Its legacy is complex, representing both traditional views of marriage and a complex response to the evolving roles of women.

Written by Elton John and Bernie Taupin, 'Tiny Dancer' captures a moment of intimacy and admiration. The lyrics paint a vivid picture of a woman, a "tiny dancer," who is both captivating and inspiring. The repetition of the phrase "Hold me closer, tiny dancer" emphasizes the speaker's desire to connect with this woman, to be close to her, and to appreciate her for the unique individual she is. The song celebrates the power of music and the beauty found in the everyday, with the "tiny dancer" embodying the magic of human connection.

on Genius

"Brown Eyed Girl" is a song written and performed by Van Morrison, featured on his 1967 album "Blowin' Your Mind." The song's lyrics paint a nostalgic portrait of a past romance, using vivid imagery to evoke the carefree days of youth. The verses describe specific memories with the "brown-eyed girl," highlighting their shared experiences, like playing games in the rain and enjoying the simple pleasures of life. 

"Hi Ren" is a musical exploration of a person’s inner struggle against their own darker impulses, personified as the character Ren. The song unfolds through a series of verses where the speaker attempts to separate himself from Ren, who represents his destructive, self-critical, and ego-driven tendencies. The speaker seeks distance from Ren, recognizing that his presence hinders his progress and potential. The song culminates in a powerful bridge where the speaker acknowledges the destructive nature of Ren, recognizing him as the embodiment of chaos, temptation, and even evil. Yet, the speaker also recognizes that Ren is an integral part of himself, representing his human flaws and capacity for both darkness and light. Ultimately, the song posits that the true struggle is not a battle to be won, but a dance to be mastered, one that requires self-acceptance and embracing the duality of human nature.

According to the Muppet Central articles on the “Songs from the Street” boxed set, people really liked cookies. In 1971, Jim Henson and his performers teamed with Jerry Juhl, Joe Raposo and Jeff Moss to write a sketch on each letter of the alphabet. 'C' Is For Cookie derives from this project.