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SOPP653: Can Baroque Articulation Be Used in Music from Later Times?
This question was sent by Jeremy. He’s our member of Total Organist Community, and helps us with fingering and pedaling scores. And he writes,
Today I did a variety of different things on the organ. The past couple of weeks I have been working through the New Oxford Organ Method just to see what it did (I really am enjoying it). It acts kind of like an organ teacher for those who have basic piano skills. It walks you through how to break the piece down into technical and musical bits. So I recorded the last piece in the "ordinary touch" section of the book today--Rising Passacaglia by Frederick Stocken, and practiced the next piece in the book (which is evading my memory at the moment). I began week three of the Pedal Virtuoso course and was inspired by Vidas to start the first Trio of J.S. Bach (learned four measures of the notes). Then I started working on Walther’s Komm Der Heilige Geist and made sure Buxtehude's Lobt Gott ihr Christen Allzugleich was still in my fingers. Practiced BWV 536 (which is Prelude and Fugue in A Major) for Sunday's service and worked on Hindemith second sonata, first movement. Here's the Stocken:
https://youtu.be/eJYeQ-BJh_k
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By Secrets of Organ Playing
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This question was sent by Jeremy. He’s our member of Total Organist Community, and helps us with fingering and pedaling scores. And he writes,
Today I did a variety of different things on the organ. The past couple of weeks I have been working through the New Oxford Organ Method just to see what it did (I really am enjoying it). It acts kind of like an organ teacher for those who have basic piano skills. It walks you through how to break the piece down into technical and musical bits. So I recorded the last piece in the "ordinary touch" section of the book today--Rising Passacaglia by Frederick Stocken, and practiced the next piece in the book (which is evading my memory at the moment). I began week three of the Pedal Virtuoso course and was inspired by Vidas to start the first Trio of J.S. Bach (learned four measures of the notes). Then I started working on Walther’s Komm Der Heilige Geist and made sure Buxtehude's Lobt Gott ihr Christen Allzugleich was still in my fingers. Practiced BWV 536 (which is Prelude and Fugue in A Major) for Sunday's service and worked on Hindemith second sonata, first movement. Here's the Stocken:
https://youtu.be/eJYeQ-BJh_k
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