SOUND:RUN:BREA(D)TH by Pheobe riley Law, 2025. Sound:run:brea(d)th had its origins in the sound-runs I embarked on each morning, speed-dating with each locale, listening to their rhythms alongside that of my own breath before returning to them to listen at a slower pace. I filmed also, on an old, low resolution camcorder, moving through open and indoor spaces, connecting with people and occasionally discovering an electronic pulse or a cute sounding object that I knew I wanted to draw attention to.

I think of this piece as a theatre; a space with multiple shifting scenes;

uncovered things covered;

field recordings; public squares / architectural spaces / the inner sounds of locally grown fruit / soil in the apartment garden / plant roots and branches / a milk vending machine along the Bega river / bird deterrent devices.

The sections / scenes become muffled, abstracted yet stay open; unearthed organic matter and micro-worlds, architectural resonance and the ultrasonic attractive and border. Each fragment shaped by or attempting to shape its environment and context. Spending some months with the recordings, and composing musical elements from them, I find links between old and new technologies, a personal and social sense of time, and the use of sound covered and uncovered. //

A piece composed with recordings made during SONIC FUTURE RESIDENCIES organized by SEMI SILENT and hosted by Simultan Festival in Timișoara, October 2024. //

Pheobe riley Law (1997) is an installation artist with a focus in sound, performance, photography, and sculptural activation. Using a symbiotic approach, she builds dialogues between different bodies, borders and devices, activating, flexible new relationships.

Prevailing interests include sonic mapping, exploring the life of non-human actors / inanimate objects & thinking about aspects of human activity through the lens of division and borders. She sometimes playfully reverses the roles of humans & non-humans, revealing the object-hood of the human essence, and an animate character of the ‘inanimate’ being. In one of her recent installations and performances Machine Equities she explores the sonic landscape of machines as actors and singing collaborators. Previous and ongoing explorations focus on: the relationship we have to the natural world; machine technologies as our collaborators; the role salt has on aquatic life and the activation of micro-worlds such as moss, soil and motorized machines. //

Recordings, composition and mixing by Pheobe riley Law for SEMI SILENT.

Co-produced by Simultan.