Derek Jarman's Jubilee is complicated. It started life as a documentary about Jordan, a movie "about punk rock", and slowly grew into the post-apocalyptic time travel weirdly pro-Monarchy-ish critique of punk rock and British society. As an openly gay man in London in 1978, perhaps Jarman was an outsider outside other outsiders, further anti-establishment than the punk movement he saw around him. At least that's the argument I try to make against Pat and guest Donovan Hill, who really just think Jarman's thesis -- whatever it is -- doesn't land. I don't necessarily love the film, personally, but it's definitely more interesting than I think my Pat and guest Donovan Hill give it credit for. Of course I could very well be wrong -- certainly Jarman doesn't hit his critique out of the park -- but we manage a pretty great conversation about punk rock, politics, ideals, and selling out. One of my favorite episodes to record, hope you love it as much as I did.