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We really, really loved our last outing from Jacques Becker. Le Trou stands as one of the pinnacles of non-horror suspense films we've seen. It was also Becker's final film, so perhaps we should assume that his earlier work would be less impressive.
We return to Becker this week with a period piece based on a real historical love triangle involving a woman with blond hair and some members of the notorious Parisian street gang Les Apaches.
Maybe it just suffers for not seeming as innovative as Becker's other work. Maybe the fact that it is a basic criminal love story is why it's so interesting as a Becker work. Though there's also that final sequence to redeem it. Maybe.
By Lost in Criterion2.9
4848 ratings
We really, really loved our last outing from Jacques Becker. Le Trou stands as one of the pinnacles of non-horror suspense films we've seen. It was also Becker's final film, so perhaps we should assume that his earlier work would be less impressive.
We return to Becker this week with a period piece based on a real historical love triangle involving a woman with blond hair and some members of the notorious Parisian street gang Les Apaches.
Maybe it just suffers for not seeming as innovative as Becker's other work. Maybe the fact that it is a basic criminal love story is why it's so interesting as a Becker work. Though there's also that final sequence to redeem it. Maybe.

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