An Italian neorealist film where the prostitute doesn't represent the state of the nation! Probably. I mean, you could probably interpret it that way if you wanted.

Bernardo Bertolucci's debut, La Commare Secca is, in a lot of ways, clearly directed by a 20 year old first timer. But it's also got some really good stuff going on, even if it's a Rashomon-plot done by a guy who absolutely swears he's never seen Rashomon. We don't believe him, but it doesn't matter either way. La Commare Secca tells its story of on the ground life below the zooming highways, out of sight down by the river, and it's tells it well.