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We spend a lot of time this week talking about Wong Kar-Wai's In the Mood for Love, and on the one hand I feel a bit bad in seeing one Chinese language film and talking about it a lot in comparison to one of the only other Chinese language films the Collection has given us, but on the other Edward Yang’s Yi Yi came out the same year and is Love’s equal in nearly every way and Love is a masterpiece. They are, rightfully, listed as two of the top (often two of the top three) films of the 21st century, and I think objectively they are at the top of the best films outside that century as well. Yi Yi is just amazing (with the possible exception of one artisitc choice I just don’t like, but I don’t know if it’s objectively bad).
By Lost in Criterion2.9
4848 ratings
We spend a lot of time this week talking about Wong Kar-Wai's In the Mood for Love, and on the one hand I feel a bit bad in seeing one Chinese language film and talking about it a lot in comparison to one of the only other Chinese language films the Collection has given us, but on the other Edward Yang’s Yi Yi came out the same year and is Love’s equal in nearly every way and Love is a masterpiece. They are, rightfully, listed as two of the top (often two of the top three) films of the 21st century, and I think objectively they are at the top of the best films outside that century as well. Yi Yi is just amazing (with the possible exception of one artisitc choice I just don’t like, but I don’t know if it’s objectively bad).

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