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We return to the films of Jules Dassin (and to the starring roles of Burt Lancaster) with a prison drama that’s sort of undermined by Dassin’s later pro-cop movie Naked City which we watched a few weeks ago. In that movie cops are good. In this movie prisons are really quite bad. Pat and I certainly don’t share Dassin’s (or each others’) views on cops, but we are much more on board with the idea that prison needs massive reform at the very least. I’ll say I’m more extreme than Dassin’s imagination could take him. For more information on what I mean there, check out Angela Davis talking to Democracy Now about Prison Abolition.
By Lost in Criterion2.9
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We return to the films of Jules Dassin (and to the starring roles of Burt Lancaster) with a prison drama that’s sort of undermined by Dassin’s later pro-cop movie Naked City which we watched a few weeks ago. In that movie cops are good. In this movie prisons are really quite bad. Pat and I certainly don’t share Dassin’s (or each others’) views on cops, but we are much more on board with the idea that prison needs massive reform at the very least. I’ll say I’m more extreme than Dassin’s imagination could take him. For more information on what I mean there, check out Angela Davis talking to Democracy Now about Prison Abolition.

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