We get a series of films from French multimedia artist Chris Marker this week of varying genius. First up is the absolutely brilliant and clearly influential sci-fi short La Jetée from 1962. Our other major conversation is on the significantly more controversial to Pat and me Sans Soleil, a sort of travelogue essay from 1983. We also briefly discuss his 1981 short documentary on found sculpture in the California mudflats with 1981’s Junkopia and (much more briefly) his venture into cd-rom interactive gaming with Immemory (1998). It’s also a weird one when Criterion decides that the one release they’re putting out from a director will contain a survey of his entire decades-long career.