For Douglas Sirk's adaptation of Lloyd C. Douglas's "liberal Christianity x pop psychology" novel the director makes the right choice to instead just remake the earlier 1935 John M. Stahl directed adaptation, which Criterion helpfully provides as a bonus feature on this release. While the 1935 version tries to show the absurdity of the melodrama with a slapstick-y comedy style, Sirk just ratchets up the melodrama to even more absurd levels.