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Our second experience with Maurice Pialat does not help us beg down the man's politics. This time we have L'enfance nue, a film that owes a lot to Truffaut, both because it's in the vein of The 400 Blows and because Truffaut produced it.A semi-documentarian look at the state of French Social Service's treatment of abandoned children, Pialat tries not to get too judgemental while showing us a system that is patently broken and clearly failing the children it's meant to "protect".
By Lost in Criterion2.9
4848 ratings
Our second experience with Maurice Pialat does not help us beg down the man's politics. This time we have L'enfance nue, a film that owes a lot to Truffaut, both because it's in the vein of The 400 Blows and because Truffaut produced it.A semi-documentarian look at the state of French Social Service's treatment of abandoned children, Pialat tries not to get too judgemental while showing us a system that is patently broken and clearly failing the children it's meant to "protect".

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