8 years ago this week our episode on Roman Polanski's Knife in the Water posted and we had a discussion about the director's misogyny. Two years ago this month, we talked about Roman Polanski's Repulsion and had a discussion about the director's misogyny. Now our third of his movies, Cul-de-sac (1966), offers us a chance to armchair psychoanalyze the man once again, as it becomes clear that his misogyny stems from his understanding all human relationships as power-struggles that someone must win.

It is the most interesting to us Polanski movie we've seen so far, certainly, resting mostly on the atmosphere of it's setting and the fact that this crime thriller maybe started life as a backdoor adaptation of Waiting for Godot.

But also, what malevolent coincidence have we encountered that we talk about Polanski films during the holidays.