We get three early films from Paul Fejos all under the banner of his 1928 part-talkie Lonesome. Also on the Criterion release is the much more interesting to us Broadway (1929) and the much less interesting to us The Last Performance (1929). Each film is inventive and interesting in its own right, but Broadway just kept getting bigger, facilitated by Fejos and his team inventing a camera crane, and then needing to build a sound stage that could accommodate their camera crane, and then needing to make a movie to justify it all.

The additional features on the Criterion release also give us plenty to talk about with biographical information on Fejos' later-career shift to anthropology and ethnography, a topic we are always willing to jump in on, though Criterion doesn't provide any examples of this aspect of his work.