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Paul Bartel directs this black comedy that's "not Lubitsch—but it’s not quite John Waters either", according to Criterion essayist David Ehrenstein. Eating Raoul (1982), is a story of America, of the normally hidden and unpunished violence of wealth accumulation. Or it's a story of America, of two prudish weirdos punishing the people they don't like. Or it's a story of America. the dream of revenge against the managerial class.
Or it's none of these things completely, as we get into a discussion this week about just how strong the metaphor in Eating Raoul is. But hey, it's still a pretty fun movie.
By Lost in CriterionPaul Bartel directs this black comedy that's "not Lubitsch—but it’s not quite John Waters either", according to Criterion essayist David Ehrenstein. Eating Raoul (1982), is a story of America, of the normally hidden and unpunished violence of wealth accumulation. Or it's a story of America, of two prudish weirdos punishing the people they don't like. Or it's a story of America. the dream of revenge against the managerial class.
Or it's none of these things completely, as we get into a discussion this week about just how strong the metaphor in Eating Raoul is. But hey, it's still a pretty fun movie.