Sociologist Edgar Morin and anthropological filmmaker Jean Rouch join forces for the Québécois filmmaker Michel Brault to turn their ethnographic lens on the empirical core and create the foundational text of cinéma vérité. It may be that this is the most truthful a French (or any) documentary had been up to this point, but the film's subjects often seem to be holding back, with many speaking in abstractions about the current political situations. The lack of honesty is further underscored by Criterion including Un été + 50 (2001), a 50-years-later followup where everyone can be a lot more upfront about their political associations, associations that probably would have landed them in jail or worse if mentioned in the original film. And while perfectly understandable -- we also would not like to be in French prison -- it still leaves us wanting for much of the film.