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As the US government was hounding him for various "anti-American"isms, Charlie Chaplin made his first movie since before the war: a black comedy where in lieu of the lovable Tramp (or the Tramp-esque Barber) Chaplin plays a polygamist serial killer. Monsieur Verdoux (1947) isn't so much a change of form for Chaplin, though, as the movie goes through great pains (of misogyny) to make Verdoux sympathetic and gives him a third act monologue that's nearly as great as The Great Dictator's.
By Lost in Criterion2.9
4848 ratings
As the US government was hounding him for various "anti-American"isms, Charlie Chaplin made his first movie since before the war: a black comedy where in lieu of the lovable Tramp (or the Tramp-esque Barber) Chaplin plays a polygamist serial killer. Monsieur Verdoux (1947) isn't so much a change of form for Chaplin, though, as the movie goes through great pains (of misogyny) to make Verdoux sympathetic and gives him a third act monologue that's nearly as great as The Great Dictator's.

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